Compare prices for shakespeare the tempest
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William Shakespeare The Tempest (Dramatised)
BBC Radio has a unique heritage when it comes to Shakespeare....
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£10.49
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William Shakespeare The Tempest (Unabridged)
The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy....
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£7.48
at Audible UK
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Penguin Books Ltd The Tempest (Penguin Popular Classics)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 5 to 7 days
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£1.99
at Amazon.co.uk
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Penguin Books Ltd The Tempest (New Penguin Shakespeare S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 4 to 7 days
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£5.59
at Amazon.co.uk
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Oxford Paperbacks The Oxford Shakespeare: The Tempest
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 5 to 7 days
Shipping: refer to store website
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£6.39
at Amazon.co.uk
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Cambridge University Press The Tempest (New Cambridge Shakespeare S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
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£7.99
at Amazon.co.uk
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HarperCollins The Tempest: Complete & Unabridged
Audio Cassette, HarperCollins
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Availability: Usually dispatched within 4 to 6 weeks
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£7.25
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Oxford University Press The Tempest (Oxford School Shakespeare S.)
Pages: 160, Paperback, Oxford University Press
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Availability: Usually dispatched within 24 hours
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£3.59
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Phoenix Press The Tempest (Everyman S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 4 to 6 weeks
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£2.99
at Amazon.co.uk
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Evans Brothers - Books for Children The Tempest (Graphic Shakespeare S.)
Pages: 72, Paperback, Evans Brothers - Books for Children
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Availability: Usually dispatched within 24 hours
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£3.99
at Amazon.co.uk
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Palgrave Macmillan The Tempest (New Casebooks S.)
Pages: 224, Paperback, Palgrave Macmillan
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Availability: In stock soon. Order now to get in line. First come, first served.
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£16.98
at Amazon.co.uk
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Hodder Arnold The Tempest (Livewire Shakespeare S.)
Pages: 64, Paperback, Hodder Arnold
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Availability: In stock soon. Order now to get in line. First come, first served.
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£8.49
at Amazon.co.uk
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W W Norton & Co Ltd The Tempest
Pages: 256, Paperback, W W Norton & Co Ltd
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Availability: Usually dispatched within 6 to 10 days
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£7.99
at Amazon.co.uk
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Heinemann Educational Secondary Division The Tempest (Heinemann Advanced Shakespeare S.)
Pages: 226, Paperback, Heinemann Educational Secondary Division
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Availability: Usually dispatched within 2 to 4 weeks
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£5.75
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Cambridge University Press The Tempest (Cambridge School Shakespeare S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£4.95
at Amazon.co.uk
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Cambridge University Press The Tempest (Shakespeare in Production S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£18.99
at Amazon.co.uk
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Longman The Tempest (Longman Literature Shakespeare S.)
Pages: 296, Paperback, Longman
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Availability: Usually dispatched within 24 hours
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£6.50
at Amazon.co.uk
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Longman The Tempest (Longman School Shakespeare S.)
Hardcover, Longman
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Availability: Usually dispatched within 3 to 6 days
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£5.50
at Amazon.co.uk
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Barron's Educational Series The Tempest (Simply Shakespeare S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£5.59
at Amazon.co.uk
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Hungry Minds Inc,U.S. The Tempest: Complete Study Edition (Cliffs Notes S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£5.59
at Amazon.co.uk
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Wordsworth Editions Ltd The Tempest (Wordsworth Classics)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 2 to 3 weeks
Shipping: refer to store website
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£1.99
at Amazon.co.uk
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Arden Shakespeare The Tempest (Arden Shakespeare S.)
One of Shakespeare's most famous but also enigmatic plays, for many years the story of Prospero's exile from his native Milan, and life with his daughter Miranda on an unnamed island in the Mediterranean, was seen as an autobiographical dramatisation of Shakespeare's departure from the London stage. The Epilogue, spoken by Prospero, claims that now my charms are all o'erthrown, appeared to reflect Shakespeare's own renunciation of his magical dramatic powers as he retired to Stratford. But <I>The Tempest</I> is far more than this, as recent commentators have pointed out. The dramatic action observes the classical unities of time, place and action, as Prospero uses his rough magic to lure his wicked usurping brother, Antonio, and King Alonso of Naples to his island retreat to torment them before engineering his return to Milan.<p> However, the play is full of extraordinary anomalies and fantastic interludes, including Gonzalo's fantasy of a utopian commonwealth, Prospero's magical servant Ariel, and the poisonous slave Caliban. The creation of Caliban has particularly fascinated critics, who have noticed in his creation a colonial dimension to the play. In this respect Caliban can be seen as an American Indian or African slave, who articulates a particularly powerful strain of anti-colonial sentiment, telling Prospero that this island's mine, by Sycorax my mother,/ Which thou tak'st from me. This has led to an intense reassessment of the play from a post-colonial perspective, as critics and historians have debated the extent to which the play endorses or criticises early English colonial expansion. --<I>Jerry Brotton</I>
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£8.99
at Amazon.co.uk
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