Compare prices for andy goldsworthy
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Crescent Moon Publishing The Art of Andy Goldsworthy: Complete Works: Special Edition
Pages: 332, Paperback, Crescent Moon Publishing
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£33.25
at Amazon.co.uk
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Thames & Hudson Ltd Wall: Andy Goldsworthy
For those familiar with <I>Stone</I> and <I>Wood</I>, <I>Wall</I> will come as a welcome and developed exploration of the tension between the two media. Goldsworthy first incorporated dry stone walls into his sculpture in 1989, when he made his first sheep fold using techniques learnt as a seasonal farm labourer. In 1995, he was invited by the Storm King Arts Center, 500 acres of splendid museum space dedicated to the interaction of art and nature north of Manhattan, to create a piece, and the result, British sensibility on an American canvas, was <I>Wall</I>. Drawing on a previous work, <I>Wall that Went for a Walk</I>, in Grizedale forest, Cumbria, Goldsworthy traced an existent line from a derelict wall amongst trees, snaking from a track to water, and as an afterthought, out again. The original wall had been displaced by trees whose trunks Goldsworthy incorporated into the course and motion of his empathetic wall, and which would, in time, once again reclaim the ground from the wall. Wood, stone, wood, stone, with the potential for wood again: you can see why this material dynamic appealed to Goldsworthy. This permanent sculpture, an organic evolution from the artist's better known ephemeral projects with fragile materials such as leaves, grass and snow, is captured with consummate sensitivity by the lens of Jerry L. Thompson, reflecting the ephemeral, ever-changing aspect of the most solid structure reliant upon seasonal light and weather changes. Gently augmented by notebook annotation and reflection from Goldsworthy, alongside complementary images from past works (and the inclusion of potted biographies of the wallers themselves, very much integral to the project's achievement), as well as an appreciative essay by art critic Kenneth Baker, and the result is an airily attractive record, that is, as always, an essential strand of the artistic representation. Incorporating history, tradition and acutely responsive to the lay of the land, Andy Goldsworthy, like fellow British artist Richard Long, once again proves himself a landscape artist for our time. --<I>David Vincent</I>
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£14.85
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Thames & Hudson Ltd Time
In his first major publication for four years (excepting the smaller, project-led <I>Arch</I> and <I>Wall</I>), Andy Goldsworthy examines the complementary dimension in his work to the sheer physicality of <I>Stone</I> and <I>Wood</I>. The recent work included here is at once new and recognisable: an illustrated chronology by curator and long-time admirer Terry Friedman reveals themes that he has revisited and variegated over 25 years, and to which time has lent an increasingly influential angle, while remaining rooted in the British landscape. The creation of a work a day connects up his life in a continuous artistic narrative, while his earthy materials often draw on centuries of artisan heritage, while embracing seasonal change. The issue of power is fundamental to his working: there is a sense in which he plays God with the potential of his resources, and for the observer, some of the magic lies in the split moment when one sees his instilled order without mental recourse to his hand. The effect can be strikingly epiphanic. At the other end of the spectrum, his communion with the elements puts him at their mercy, subjugating to their will, and investing his creations with an unpredictability fundamental to his intention. Snow melts, ice collapses, clay cracks, wind blows; he is nurturing rather than forcing a form into being. <p> The photographic records are sublime, and vital to his ephemerality, whether in Montreal, Digne, Nova Scotia, Holland, New Mexico or Cornell. The accompanying text, a continuing dialogue for Goldsworthy, explores still further his familiar conceits, though diary excerpts give evidence of the toil behind the beauty, and bring out the unpredictability of his work, from which he unflaggingly draws inspiration, whether on a beach, in a river, in a wood, or in a gallery. One is left with an intuitively organic sense of continuity, of which this absorbing and lavish volume is itself a record of regenerative temporality: What I have made so far gives me a strong sense of the work yet to come. --<I>David Vincent</I>
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£23.10
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Andy Goldsworthy
This is a retrospective volume of the work of Andy Goldsworthy, an innovative British artist who works entirely with natural materials, such as leaves, bark, clay, stones, feathers, petals and snow. Some of his designs are permanent but many are ephemeral and are captured by photographs. author: Goldsworthy, Andy; publisher: Viking
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£50.00
at countrybookshop.co.uk
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Crescent Moon Publishing Andy Goldsworthy: Touching Nature
Pages: 286, Paperback, Crescent Moon Publishing
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Availability: Usually dispatched within 4 to 6 weeks
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£23.75
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Thames & Hudson Ltd Hand to Earth: Andy Goldsworthy Sculpture, 1976-1990
Pages: 196, Paperback, Thames & Hudson Ltd
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Availability: Usually dispatched within 24 hours
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£13.16
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Thames & Hudson Ltd Midsummer Snowballs
Pages: 160, Hardcover, Thames & Hudson Ltd
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Availability: Usually dispatched within 4 to 6 weeks
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£12.50
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Thames & Hudson Ltd Passage
Pages: 168, Hardcover, Thames & Hudson Ltd
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£23.10
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Harry N. Abrams, Inc. Wall
For those familiar with <I>Stone</I> and <I>Wood</I>, <I>Wall</I> will come as a welcome and developed exploration of the tension between the two media. Goldsworthy first incorporated dry stone walls into his sculpture in 1989, when he made his first sheep fold using techniques learnt as a seasonal farm labourer. In 1995, he was invited by the Storm King Arts Center, 500 acres of splendid museum space dedicated to the interaction of art and nature north of Manhattan, to create a piece, and the result, British sensibility on an American canvas, was <I>Wall</I>. Drawing on a previous work, <I>Wall that Went for a Walk</I>, in Grizedale forest, Cumbria, Goldsworthy traced an existent line from a derelict wall amongst trees, snaking from a track to water, and as an afterthought, out again. The original wall had been displaced by trees whose trunks Goldsworthy incorporated into the course and motion of his empathetic wall, and which would, in time, once again reclaim the ground from the wall. Wood, stone, wood, stone, with the potential for wood again: you can see why this material dynamic appealed to Goldsworthy. This permanent sculpture, an organic evolution from the artist's better known ephemeral projects with fragile materials such as leaves, grass and snow, is captured with consummate sensitivity by the lens of Jerry L. Thompson, reflecting the ephemeral, ever-changing aspect of the most solid structure reliant upon seasonal light and weather changes. Gently augmented by notebook annotation and reflection from Goldsworthy, alongside complementary images from past works (and the inclusion of potted biographies of the wallers themselves, very much integral to the project's achievement), as well as an appreciative essay by art critic Kenneth Baker, and the result is an airily attractive record, that is, as always, an essential strand of the artistic representation. Incorporating history, tradition and acutely responsive to the lay of the land, Andy Goldsworthy, like fellow British artist Richard Long, once again proves himself a landscape artist for our time. --<I>David Vincent</I>
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Availability: Usually dispatched within 1 to 3 weeks
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£21.94
at Amazon.co.uk
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Harry N. Abrams, Inc. Andy Goldsworthy
Pages: 1, Hardcover, Harry N. Abrams, Inc.
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Availability: Usually dispatched within 2 to 4 weeks
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£23.10
at Amazon.co.uk
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Editions Artha Goldsworthy Andy - Refuges D'art
Pages: 128, Paperback, Editions Artha
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Availability: In stock soon. Order now to get in line. First come, first served.
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£17.99
at Amazon.co.uk
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