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Palgrave Macmillan Margaret Atwood
Pages: 240, Paperback, Palgrave Macmillan
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Terrace Books Kings in Their Castles: Photographs of Queer Men at Home
Pages: 96, Hardcover, Terrace Books
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Vintage The Handmaid's Tale (Contemporary Classics)
Pages: 320, Paperback, Vintage
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Vintage Bluebeard's Egg
Pages: 288, Paperback, Vintage
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Vintage Life Before Man (Contemporary Classics)
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Vintage Bodily Harm (Contemporary Classics)
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Vintage Dancing Girls and Other Stories (Contemporary Classics)
Pages: 240, Paperback, Vintage
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HarperCollins The Blind Assassin
It's loss and regret and misery and yearning that drive the story forward, writes Margaret Atwood, towards the end of her impressive and complex new novel, <I>The Blind Assassin</I>. It's a melancholic account of why writers write--and readers read--and one that frames the different lives told through this book. <I>The Blind Assassin</I> is (at least) two novels. At the end of her life, Iris Griffen takes up her pen to record the secret history of her family, the romantic melodrama of its decline and fall between the two World Wars. Conjuring a world of prosperity and misery, marriage and loneliness, the central enigma of Iris's tale is the death of her sister, Laura Chase, who drove a car off a bridge at the end of the Second World War. Suicide or accident? The story gradually unfolds, interspersed with sketches of Iris's present-day life--confined by age and ill-health--and a second novel, <I>The Blind Assassin</I> by Laura Chase. Allowing a glimpse into a clandestine love affair between a privileged young woman and a radical agitator on the run, this version of <I>The Blind Assassin</I> is an overt act of seduction: the exchange of sex and story about an imaginary world of Sakiel-Norn (a play with the potential, and convention, of fantasy and sci-fi). <p> With the intelligence, subtlety and remarkable characterisation associated with Atwood's writing (from her first novel, <I>The Edible Woman</I> through to the best-selling <I>Alias Grace</I>), these two stories play with one another--sustaining an uncertainty about who has done what to who and why to the very end of this compelling book. --<I>Vicky Lebeau</I>
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£10.55
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Heinemann Educational Secondary Division Handmaid's Tale (New Windmill S.)
Pages: 308, Hardcover, Heinemann Educational Secondary Division
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Virago Press Ltd The Blind Assassin
It's loss and regret and misery and yearning that drive the story forward, writes Margaret Atwood, towards the end of her impressive and complex new novel, <I>The Blind Assassin</I>. It's a melancholic account of why writers write--and readers read--and one that frames the different lives told through this book. <I>The Blind Assassin</I> is (at least) two novels. At the end of her life, Iris Griffen takes up her pen to record the secret history of her family, the romantic melodrama of its decline and fall between the two World Wars. Conjuring a world of prosperity and misery, marriage and loneliness, the central enigma of Iris's tale is the death of her sister, Laura Chase, who drove a car off a bridge at the end of the Second World War. Suicide or accident? The story gradually unfolds, interspersed with sketches of Iris's present-day life--confined by age and ill-health--and a second novel, <I>The Blind Assassin</I> by Laura Chase. Allowing a glimpse into a clandestine love affair between a privileged young woman and a radical agitator on the run, this version of <I>The Blind Assassin</I> is an overt act of seduction: the exchange of sex and story about an imaginary world of Sakiel-Norn (a play with the potential, and convention, of fantasy and sci-fi). <p> With the intelligence, subtlety and remarkable characterisation associated with Atwood's writing (from her first novel, <I>The Edible Woman</I> through to the best-selling <I>Alias Grace</I>), these two stories play with one another--sustaining an uncertainty about who has done what to who and why to the very end of this compelling book. --<I>Vicky Lebeau</I>
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£6.39
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Virago Press Ltd The Edible Woman
Pages: 286, Paperback, Virago Press Ltd
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Bloomsbury The Blind Assassin
It's loss and regret and misery and yearning that drive the story forward, writes Margaret Atwood, towards the end of her impressive and complex new novel, <I>The Blind Assassin</I>. It's a melancholic account of why writers write--and readers read--and one that frames the different lives told through this book. <I>The Blind Assassin</I> is (at least) two novels. At the end of her life, Iris Griffen takes up her pen to record the secret history of her family, the romantic melodrama of its decline and fall between the two World Wars. Conjuring a world of prosperity and misery, marriage and loneliness, the central enigma of Iris's tale is the death of her sister, Laura Chase, who drove a car off a bridge at the end of the Second World War. Suicide or accident? The story gradually unfolds, interspersed with sketches of Iris's present-day life--confined by age and ill-health--and a second novel, <I>The Blind Assassin</I> by Laura Chase. Allowing a glimpse into a clandestine love affair between a privileged young woman and a radical agitator on the run, this version of <I>The Blind Assassin</I> is an overt act of seduction: the exchange of sex and story about an imaginary world of Sakiel-Norn (a play with the potential, and convention, of fantasy and sci-fi). <p> With the intelligence, subtlety and remarkable characterisation associated with Atwood's writing (from her first novel, <I>The Edible Woman</I> through to the best-selling <I>Alias Grace</I>), these two stories play with one another--sustaining an uncertainty about who has done what to who and why to the very end of this compelling book. --<I>Vicky Lebeau</I>
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£11.21
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Virago Press Ltd Curious Pursuits
Pages: 320, Hardcover, Virago Press Ltd
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Bloomsbury Oryx and Crake
In the beginning, there was chaos... Margaret Atwood's chilling new novel <I>Oryx and Crake</I> moves beyond the futuristic fantasy of her 1985 bestseller <I>The Handmaid's Tale</I> to an even more dystopian world, a world where language--and with it anything beyond the merest semblance of humanity--has almost entirely vanished. <p> Snowman may be the last man on earth, the only survivor of an unnamed apocalypse. Once he was Jimmy, a member of a scientific elite; now he lives in bitter isolation and loneliness, his only pleasure the watching of old films on DVD. His mind moves backwards and forwards through time, from an agonising trawl through memory to relive the events that led up to sudden catastrophe (most significantly the disappearance of his mother and the arrival of his mysterious childhood companions Oryx and Crake, symbols of the fractured society in which Snowman now finds himself, to the horrifying present of genetic engineering run amok. His only witnesses, eager to lap up his testimony, are Crakers, laboratory creatures of varying strengths and abilities, who can offer little comfort. Gradually the reasons behind the disaster begin to unfold as Snowman undertakes a perilous journey to the remains of the bubble-dome complex where the sinister Paradice Project collapsed and near-global devastation began. <p> This, Atwood's 11th novel, confirms her as one of our most contemporary novelists. Darkly humorous and icily prescient, <I>Oryx and Crake</I> shows a writer deeply concerned with the stark moral issues facing the human race, and accords a glimpse of a future that lies all too uneasily within reach. --<I>Catherine Taylor</I>
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Bloomsbury Oryx and Crake
Audio CD, Bloomsbury
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Virago Press Ltd Murder in the Dark: Short Fictions and Prose Poems
Pages: 112, Paperback, Virago Press Ltd
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Bloomsbury Alias Grace
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer and his mistress. The sensationalistic trial made headlines throughout the world, and the jury delivered a guilty verdict. Yet opinion remained fiercely divided about Marks- -was she a spurned woman who had taken out her rage on two innocent victims, or was she an unwilling victim herself, caught up in a crime she was too young to understand? Such doubts persuaded the judges to commute her sentence to life imprisonment, and Marks spent the next 30 years in an assortment of jails and asylums, where she was often exhibited as a star attraction. In <I>Alias Grace</I>, Margaret Atwood reconstructs Marks's story in fictional form. Her portraits of 19th-century prison and asylum life are chilling in their detail. The author also introduces Dr Simon Jordan, who listens to the prisoner's tale with a mixture of sympathy and disbelief. In his effort to uncover the truth, Jordan uses the tools of the then rudimentary science of psychology. But the last word belongs to the book's narrator--Grace herself.
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Virago Press Ltd Cat's Eye
Margaret Atwood charts the psychological process of memory as compulsion and memory as a healing act through the character of Elaine Risley, an artist who returns to her home town of Toronto for a retrospective of her work. Elaine's visit triggers thoughts of her childhood with all the urgency of a bad rash. Dominating her reflections are her childhood friends, three girls who wreak havoc on Elaine's self-esteem. Having spent her early childhood on the road with an entomologist father, a less than traditional mother and a brother more concerned with snot and snakes than the intricate behaviour codes of girls, the young Elaine is vulnerable to the indirect aggression of Cordelia, the ringleader of the group who seeks to improve her. Through Elaine's experiences, Margaret Atwood turns a keen and ironic eye on the training of females in North American culture: All I have to do is sit on the floor and cut frying pans out of the Eaton's Catalogue with embroidery scissors, and say I've done it badly. The self-effacement of these girl-children barely masks a need for power that erupts all too often in cruel forms of play. This is a story in which the lines between victims and oppressors blur, in which forgiveness becomes an act of gaining power. Through humour, pain and insight, she makes us see, with surprise and recognition, details from childhood we may well have forgotten. --<I>Chris Kellett, From 500 Great Books by Women</I>
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Virago Press Ltd Lady Oracle
Pages: 352, Paperback, Virago Press Ltd
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Vintage The Handmaid's Tale (Reading Guide Edition)
Pages: 336, Paperback, Vintage
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Canongate Books Ltd The Myths Boxset: A Short History of Myth, The Penelopiad, Weight [3 book boxset]
Hardcover, Canongate Books Ltd
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Virago Press Ltd Good Bones
Pages: 160, Paperback, Virago Press Ltd
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Canongate Books Ltd The Penelopiad: The Myth of Penelope and Odysseus
Pages: 224, Paperback, Canongate Books Ltd
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Griffin Stealing History: Tomb Raiders, Smugglers, and the Looting of the Ancient World
Pages: 368, Paperback, Griffin
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HarperCollins Alias Grace
Audio Cassette, HarperCollins
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Virago Press Ltd Eating Fire: Selected Poetry, 1965-95
In Against Still Life, a poem from her 1966 collection, <I>The Circle Game</I>, the speaker exclaims: I'd crack your skull / like a walnut, split it like a pumpkin / to make you talk, or get / a look inside. This urgent desire to excavate experience, to break through surfaces and dish up the truth, governs much of Atwood's work. In times of conflict she refuses to turn away (I am the cause, I am a stockpile of chemical / toys, my body / is a deadly gadget, / I reach out in love, my hands are guns / my good intentions are completely lethal). On the subject of mistreatment she won't back off (the iguana / in the pet shop window on St Catherine Street / crested, royal-eyed, ruling / its kingdom of water-dish and sawdust...). And with in-your-face fury she approaches love / like a biologist / pulling on my rubber / gloves & white labcoat, ever-insisting I'm not the sea, I'm not pure blue, / I don't have to take / anything you throw into me. <p> But this drive to push, with arrestingly beautiful imagery, the limits of what we see and in turn believe, is only the half of it. What draws us in, what keeps us enthralled, is her intoxicatingly flawless sense of rhythm and cadence. Under Atwood's grip, though it's all about sex and territory, though the windchill factor hits / thirty below, and pollution pours / out of our chimneys to keep us warm, there is always just enough room for a bit of optimism, to / admit the cancer cell is beautiful ... with its mauve center and pink petals, to remind us the river's been here, violent, right where we're standing / [but] now it's a trickle, and we're up to our knees / in late-spring yellowing weeds. --<I>Martha Silano</I>
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Cambridge University Press The Cambridge Companion to Margaret Atwood (Cambridge Companions to Literature)
Pages: 222, Paperback, Cambridge University Press
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Canongate Books Ltd The Penelopiad: The Myth of Penelope and Odysseus
Pages: 208, Hardcover, Canongate Books Ltd
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Virago Press Ltd Bones and Murder
Pages: 175, Paperback, Virago Press Ltd
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Bloomsbury The Tent
Pages: 176, Hardcover, Bloomsbury
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Virago Press Ltd Curious Pursuits: Occasional Writing
Pages: 320, Paperback, Virago Press Ltd
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Cambridge University Press The Hessians
Pages: 304, Paperback, Cambridge University Press
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Longman The Handmaid's Tale by Margaret Atwood (York Notes Advanced S.)
Paperback, Longman
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Virago Press Ltd Alias Grace
In 1843, a 16-year-old Canadian housemaid named Grace Marks was tried for the murder of her employer and his mistress. The sensationalistic trial made headlines throughout the world, and the jury delivered a guilty verdict. Yet opinion remained fiercely divided about Marks- -was she a spurned woman who had taken out her rage on two innocent victims, or was she an unwilling victim herself, caught up in a crime she was too young to understand? Such doubts persuaded the judges to commute her sentence to life imprisonment, and Marks spent the next 30 years in an assortment of jails and asylums, where she was often exhibited as a star attraction. In <I>Alias Grace</I>, Margaret Atwood reconstructs Marks's story in fictional form. Her portraits of 19th-century prison and asylum life are chilling in their detail. The author also introduces Dr Simon Jordan, who listens to the prisoner's tale with a mixture of sympathy and disbelief. In his effort to uncover the truth, Jordan uses the tools of the then rudimentary science of psychology. But the last word belongs to the book's narrator--Grace herself.
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Greenwood Press Margaret Atwood: A Critical Companion (Critical Companions to Popular Contemporary Writers S.)
Pages: 184, Hardcover, Greenwood Press
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Hodder Arnold Margaret Atwood: a Beginner's Guide (Beginner's Guide S.)
Pages: 86, Paperback, Hodder Arnold
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John Wiley & Sons Inc Living Well with Parkinson's: An Inspirational, Informative Guide for Parkinsonians and Their Loved Ones
Pages: 240, Paperback, John Wiley & Sons Inc
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University of California Press Assuming the Burden: Europe and the American Commitment to War in Vietnam
Pages: 368, Hardcover, University of California Press
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Kegan Paul Hermetic Philosophy and Alchemy: A Suggestive Inquiry into 'the Hermetic Mystery'
Pages: 682, Hardcover, Kegan Paul
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Bloomsbury Wilderness Tips (Bloomsbury Classic S.)
Pages: 288, Hardcover, Bloomsbury
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Bloomsbury The Journals of Susanna Moodie: Poems
In 1832, a 29-year-old Englishwoman departed for Canada with her family. The product of a genteel upbringing, Susanna Moodie had already established somewhat of a reputation as a writer of essays, poetry and children's stories. None of this, however, prepared her for the rigours of pioneer life, which she chronicled in two volumes of autobiography and eventually came to cherish. Moodie died in 1885, and-- almost a century later--Margaret Atwood seized upon this quintessential pioneer as the subject for a verse epic. In <I>The Journals of Susanna Moodie</I>, Atwood uses Moodie's own words as raw material, reshaping and cutting them into a startling meditation on nature, alienation and our sense of place: <blockquote> We left one by one<br> the cities rotting with cholera,<br> one by one our civilized<br> distinctions<br> and entered a large darkness.<br> It was our own<br> ignorance we entered. </blockquote> Atwood's epic was first published in 1970 and reappeared in a 1980 limited edition featuring illustrations by Charles Pachter, and it is this version that Houghton Mifflin had the good sense to reprint. The result is an elegant artefact, a fitting tribute to an emblematic figure--a woman who Carol Shields has described as a Crusoe baffled by her own heated imagination, the dislocated immigrant who never fully accepts or rejects her adopted country.
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Bloomsbury Rude Ramsay and the Roaring Radishes
Pages: 32, Hardcover, Bloomsbury
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Chivers Audio Books Oryx and Crake
Audio Cassette, Chivers Audio Books
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Chivers Audio Books The Blind Assassin: Complete & Unabridged
It's loss and regret and misery and yearning that drive the story forward, writes Margaret Atwood, towards the end of her impressive and complex new novel, <I>The Blind Assassin</I>. It's a melancholic account of why writers write--and readers read--and one that frames the different lives told through this book. <I>The Blind Assassin</I> is (at least) two novels. At the end of her life, Iris Griffen takes up her pen to record the secret history of her family, the romantic melodrama of its decline and fall between the two World Wars. Conjuring a world of prosperity and misery, marriage and loneliness, the central enigma of Iris's tale is the death of her sister, Laura Chase, who drove a car off a bridge at the end of the Second World War. Suicide or accident? The story gradually unfolds, interspersed with sketches of Iris's present-day life--confined by age and ill-health--and a second novel, <I>The Blind Assassin</I> by Laura Chase. Allowing a glimpse into a clandestine love affair between a privileged young woman and a radical agitator on the run, this version of <I>The Blind Assassin</I> is an overt act of seduction: the exchange of sex and story about an imaginary world of Sakiel-Norn (a play with the potential, and convention, of fantasy and sci-fi). <p> With the intelligence, subtlety and remarkable characterisation associated with Atwood's writing (from her first novel, <I>The Edible Woman</I> through to the best-selling <I>Alias Grace</I>), these two stories play with one another--sustaining an uncertainty about who has done what to who and why to the very end of this compelling book. --<I>Vicky Lebeau</I>
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£59.51
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Kessinger Publishing Co Suggestive Inquiry into the Hermetic Mystery with a Dissertation on the More Celebrated of the Alchemical Philosophers Being an Attempt Towards the Re
Pages: 696, Paperback, Kessinger Publishing Co
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Jason Aronson Faces in a Cloud: Intersubjectivity in Personality Theory
Pages: 210, Paperback, Jason Aronson
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Carroll & Graf Publishers Writing with Intent: Essays, Reviews, Personal Prose: 1983-2005
Pages: 427, Hardcover, Carroll & Graf Publishers
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Holt (Henry) & Co ,U.S. Be Your Own Dating Service
Pages: 294, Paperback, Holt (Henry) & Co ,U.S.
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Sterling Spirit Healing: Native American Magic and Medicine
Pages: 176, Paperback, Sterling
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Virago Press Ltd Surfacing
Pages: 122, Paperback, Virago Press Ltd
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University of Massachusetts Press Brutal Choreographies: Oppositional Strategies and Narrative Design in the Novels of Margaret Atwood
Pages: 224, Hardcover, University of Massachusetts Press
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Research & Education Association,U.S. Maxnotes: Edible Woman
Pages: 128, Hardcover, Research & Education Association,U.S.
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Talon Books,Canada Margaret Atwood: A Feminist Poetics (New Canadian Criticism Series)
Pages: 178, Paperback, Talon Books,Canada
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Groundwood Books Up in the Tree
Pages: 32, Hardcover, Groundwood Books
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House of Anansi Press Circle Game
Pages: 95, Paperback, House of Anansi Press
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National Association for the Teaching of English Handmaid's Tale by Margaret Atwood: A Post-16 Study Guide (Critical Reading S.)
Pages: 40, Paperback, National Association for the Teaching of English
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Windsor Press Peter Doig: Works on Paper
Pages: 148, Hardcover, Windsor Press
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Brilliance Audio The Penelopiad: The Myth of Penelope and Odysseus: Unabridged (Myth S.)
Audio CD, Brilliance Audio
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£11.06
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Camden House Margaret Atwood: Works and Impact (European Studies in American Literature & Culture S.)
Pages: 356, Paperback, Camden House
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£15.71
at Amazon.co.uk
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Sparknotes The Handmaid's Tale (Sparknotes)
Pages: 88, Paperback, Sparknotes
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£2.99
at Amazon.co.uk
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Virago Press Ltd Strange Things
Pages: 144, Paperback, Virago Press Ltd
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£6.39
at Amazon.co.uk
|
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Virago Press Ltd Negotiating with the Dead: A Writer on Writing
Pages: 224, Paperback, Virago Press Ltd
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£6.39
at Amazon.co.uk
|
 |
Virago Press Ltd Oryx and Crake
Pages: 448, Paperback, Virago Press Ltd
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£6.39
at Amazon.co.uk
|
 |
Virago Press Ltd Wilderness Tips
Pages: 256, Paperback, Virago Press Ltd
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£6.39
at Amazon.co.uk
|
 |
Virago Press Ltd The Robber Bride
Pages: 576, Paperback, Virago Press Ltd
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Availability: Usually dispatched within 24 hours
Shipping: refer to store website
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£6.39
at Amazon.co.uk
|
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Random House Audiobooks The Handmaid's Tale
Audi |
