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ICON HOME ENTERTAINMENT Open Hearts [2003]
Release Date: 2003-10-06, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£5.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT What Women Want [2001]
Release Date: 2001-08-06, Rating Suitable for 12 years and over,
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT The Contender [2001]
After years of yawn-inducing testosterone displays in the political arena, <I>The Contender</I> is a uniquely intelligent feminist statement. Written and directed by Rod Lurie, the plot is concerned with appointing a female Vice President (Joan Allen as Senator Laine Hanson) to the White House. Barring her way are the collective prejudices and petty-minded historical grudges that mire all politics. For her, they're all focused in the repellent form of an unrecognisable Gary Oldman as Sheldon Runyan. Several other performances stand alongside these two excellent leads: a commanding President from Jeff Bridges, a fresh-faced do-gooder from Christian Slater and an incendiary moustache-free presidential aide from Sam Elliott. Beneath the extremely engaging surprise-filled plot, there are also several layers of commendable moral thematics. Effectively put on trial for being who she is and what she may or may not have done in her past, Allen's character stands for much more than a position in the Office. Viewers are presented with the thought-provoking statement: principles only matter if you stick by them when they're inconvenient.<p> <B>On the DVD:</B> a trailer, four TV spots, an interview with Joan Allen and 10 deleted scenes (totalling 16 minutes) with optional commentary from director Lurie, all worthy of your attention. But the enthusiastic commentary from Lurie and Allen is the real treat. Crammed with information about the advice on re-editing given by Steven Spielberg, Lurie reveals the fall-out it caused with Gary Oldman. Gossip aside, it's also fascinating to hear him explaining his feminist standpoint after having become father to a daughter.--<I>Paul Tonks</I>
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Availability: Usually dispatched within 3 to 6 days
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£3.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Kevin And Perry Go Large (2000)
A pair of pubescent boys in all their spotty and obnoxious glory whose boundless lust for coolness and girls is matched only by their bottomless ineptitude at achieving these goals, Kevin (Harry Enfield) and Perry (Kathy Burke) were two regular characters in <I>Harry Enfield and Chums</I>, a successful BBC sketch show. Over the three minutes or so one of their television sketches would run in each episode, Kevin and Perry were hilarious comic creations, but their antics severely test the patience spread out over 82 minutes. The script is a pretty flimsy excuse for a series of intermittently amusing gags about Ibiza beach culture (a worthy target), the sexual excitability of teenage boys and bodily excrescences of various kinds. Our heroes set off for the sun to lose their virginities and debut their bedroom mixed single, All I Want to Do Is Do It. They meet the girls of their dreams, and a truly loathsome club DJ (the seemingly ubiquitous Rhys Ifans, without whom no bad British film could do without) and enjoy the fleshpots of beach life. It all starts to feel like a shabby stab at aping the success of such recent classic American gross-out comedies as <I>American Pie</I> and <I>There's Something About Mary</I> but without their emotional range (no, really, we're serious here) or ludic inventiveness. Nevertheless, it does have its moments, like the epic spot-squeezing sequence, a triumph of squelchy turpitude, and Kathy Burke is magnificent as ever cross-dressing as Perry, the quiet, slack-jawed one with the really, really bad posture and a major case of the hots for Kevin's mum. --<I>Leslie Felperin</I>
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Availability: Usually dispatched within 4 to 6 weeks
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£13.99
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Ghost World [2001]
In an inspired opening, <I>Ghost World</I> begins with a montage from a 1960s Bollywood video and voyeuristic shots of the neighbours of the eponymous suburban town. This is teenage angst taken beyond the realms of the pure sexual frustration of <I>American Pie</I>, onto the level of displacement. <p> Just what lies in store for two girls after school has finished? Enid (Thora Birch) and Rebecca (Scarlett Johansson) mull over life, love and the weird and wonderful inhabitants of the small town of Ghost World. But while Rebecca attempts to grow up by getting a job and an apartment, Enid is forced into summer Art School and begins a friendship with the sad loner Seymour (Steve Buscemi), who has more of a relationship with his seven-inches than the human race. The girls' relationship begins to strain and as the story progresses Rebecca appears in both Enid's life and the film, less and less.<p> Based on the comics by Daniel Clowes, which have themselves been acclaimed as a modern-day <I>Catcher in the Rye</I>, and directed by Terry (<I>Crumb</I>) Zwigoff, <I>Ghost World</I> is a beautiful exploration of the confusions and choices faced by young adults. Although criticised for being slow in places, the film's pace adds extra realism to its exposure of the constraints of small-town life. The poignant ending leaves us unsure about what's next for Enid; though from what we've learnt through the course of the film, going it alone and making big decisions is the only way to reap the rewards in an uncertain life.<p> <B>On the DVD:</B> <I>Ghost World</I> on disc comes with a standard range of special features, including a photo gallery (mainly of Birch in her distinctive costumes), trailers and one subtitle option: English for the hard of hearing. In the section entitled Daniel Clowes' Ghost World there's a tour of his old neighbourhood, the inspiration for the comic, in which the author states he never made anything up; a self portrait and Clowes talking about the process of turning his comic into a film--which is about as close as you will get on this disc to a commentary. --<I>Nikki Disney</I>
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Availability: Usually dispatched within 24 hours
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£6.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Basic [2003]
<I>Basic</I> is a military mystery that offers multi-layered deception as its dramatic raison d'etre, but with plenty of machismo attitude as befitting a semi-effective thriller from <I>Die Hard</I> director John McTiernan. John Travolta stars as an ex-Army Ranger-turned-DEA agent, recruited by an Army investigator (Connie Nielsen) to solve the fratricide of a reviled Sergeant (Samuel L Jackson) who was allegedly killed while commanding a Special Forces training mission in the hurricane-swept rainforests of Panama. Two survivors (Giovanni Ribisi in a showboat role and Brian Van Holt) recall the ill-fated mission as the truth unfolds, <I>Rashomon</I>-st yle, in a series of repetitive flashbacks. Tricky enough to hold one's attention as it grows increasingly irrelevant, <I>Basic</I> is so enamoured of its bogus ingenuity that its ultimate twist is a letdown. A second viewing might prove rewarding, if only to confirm that it all holds together. --<I>Jeff Shannon</I>
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Availability: Usually dispatched within 24 hours
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£5.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Heartbreakers [2001]
<I>Heartbreakers</I&g t; wants to be a distaff variation of <I>Dirty Rotten Scoundrels</I>, compensating for lack of intelligence with ample cleavage provided by Sigourney Weaver and Jennifer Love Hewitt. This alone should draw plenty of drooling guys who will enjoy the scenery and affirm the movie's depiction of men as lecherous idiots. And what scenery it is! Dressed up in trampy glamour, Weaver and Hewitt play mother-and-daughter grifters with a devious routine: Max (Weaver) lures wealthy cads into marriage, and then daughter Page (Hewitt) seduces them, so mom can discover the infidelity and fleece the chump in divorce court. They've just scammed the boss of a hot-car ring (Ray Liotta) and now it's on to Palm Beach, Florida, where they'll dupe a wheezing tobacco baron (Gene Hackman) and retire to the good life. Or so they think... <p> Armed with the same air headed humour he brought to <I>Romy and Michele's High School Reunion</I>, director David Mirkin relies on the clichéd notion that sex turns all men into morons--a conceit that would have worked if the dialogue and sitcom antics were more convincing. Additional plot twists--not to mention Hewitt's microskirts and Wonderbras--may hold your attention, but you may find yourself harking back to Steve Martin, Michael Caine, and those happier high jinks on the French Riviera. --<I>Jeff Shannon, Amazon.com</I>
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Availability: Usually dispatched within 24 hours
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£6.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Bless The Child [2001]
<I>Bless the Child</I> is one of several identikit supernatural thrillers released in the wake of <I>The Sixth Sense</I>. It's another attempt to update 70s satanic-child flicks such as <I>The Omen</I>, although the twist here is that the child is a force for ultimate good. One winter night, nurse Maggie O'Connor (Kim Basinger) arrives home to find her junkie sister Jenna on her doorstep, destitute and in dire straits, holding a newly born baby wrapped in swaddling. She takes them in, but shortly after Jenna absconds leaving the child, Cody, in Maggie's care. Six years later, Jenna returns with her creepy new husband, Eric (Rufus Sewell), in tow to reclaim Cody, who has grown into a quiet but precocious child with a talent for telekinesis. They promptly disappear leaving Maggie distraught and desperate to recover her adopted child. <p>The chief problem with <I>Bless the Child</I> lies in its premise. As the film reaches its denouement and a glowing angelic host attempts to save Cody by snuffing out Sewell's satanic presence, one begins to suspect that this is the Hollywood equivalent of a Christian Rock album, attempting religious conversion by stealth and subversion. That said, the movie rolls along at a cracking pace and features several nice touches: Sewell is suitably creepy as the squint-eyed cult leader; Christina Ricci literally loses her head to the forces of darkness in a blink and you'll miss it cameo; and Cody's horrific waking nightmares put a new twist on what really lies at the end of the bed when the lights go out. <p><B>On the DVD:</B> An awkward audio commentary pairs director Chuck Russell with visual effects supervisor Joel Hynek. Russell is keen on spelling out the rather obvious motivations of his characters while Hynek relays the difficulties encountered in realising the film's numerous special effects sequences, but it's hardly the kind of stuff that enhances your viewing of the film. A 10-minute featurette contains the standard enthusiastic cast and crew interviews. The inclusion of a theatrical trailer and seven virtually identical TV spots is simply overkill. The clear picture quality of the main feature shows off Peter Menzies' suitably Gothic cinematography, presented in 2.35:1 anamorphic format with 5.1 Dolby Digital sound. --<I>Chris Campion</I>
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Availability: Usually dispatched within 4 to 6 weeks
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£5.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT House Of Voices [2004]
Release Date: 2006-01-02, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£18.99
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Ordinary Decent Criminal [2000]
Release Date: 2000-09-11, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£7.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT The Life And Death Of Peter Sellers [2004]
Release Date: 2005-04-18, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£5.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Anita & Me [2002]
<I>Anita & Me</I> is the film of Meera Syal's novel about growing up in the Black Country in the early 1970s. Syal appears in the film, playing a somewhat terrifying aunt, and most of the cast will be just as familiar to anyone who has watched many BBC comedies: it also features Sanjeev Bhaskar (<I>The Kumars at No. 42</I>), Mark Williams (<I>The Fast Show</I>) and Kathy Burke (<I>Harry Enfield & Chums</I>, among others). Unfortunately their combined efforts are not quite enough to make <I>Anita & Me</I> more than mediocre. <p>Ironically the most glaring problem is with the respectable turn-out of comic acting talent--all of whom over-act mercilessly throughout. This may have been an effort to compensate for the stock nature of many of the characters: Bhaskar's ambitious Indian immigrant father, Williams' hippy vicar, Burke's lippy fishwife. The film's central relationship between an awkward adolescent Indian girl called Meena (Chandeep Uppal) and her slightly older English neighbour Anita (Anna Brewster) is rather better handled by the two young actors concerned, but there is nothing here that wasn't done a great deal better in the thematically similar <I>East is East</I>. --<I>Andrew Mueller</I>
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT Million Dollar Hotel [2000]
Many were iffy about Wim Wenders' <I>Faraway, So Close</I> (available on <I>video</I>) and <I>The End of Violence</I> (also available on <I>video</I>), but those films have a lot going for them. <I>The Million Dollar Hotel</I> is the director's true disasterpiece. The story, co-authored by U2's Bono, is fit only for Bonio dog biscuits, and lead-performer Jeremy Davies is as annoying as anyone ever has been on screen. Spiky-haired semi-cracked Tom-Tom (Davies) takes a running jump off the top of the eponymous refuge for Los Angeles deadbeats, then flashes back to the aftermath of the last fatal fall from the hotel, taken by his junkie friend (played by Tim Roth in a climactic flashback). The hotel is shaken up by the arrival of FBI Special Agent Detective Skinner (Mel Gibson), a maniac in a back-brace who turns out to have had a functional third arm amputated. Other resident weirdoes include saintly slut and bibliophile Milla Jovovich, bogus-Indian artist Jimmy Smits, mad hooker Amanda Plummer and bogus Liverpudlian Peter Stormare (who claims to be a lost Beatle). Just when you think it can't get worse, Julian Sands shows up. Ugly, hectoring and trite. --<I>Kim Newman</I>
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Availability: Usually dispatched within 24 hours
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£13.99
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Mambo Italiano [2003]
Release Date: 2005-07-25, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£6.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT The Prince And Me [2004]
Release Date: 2005-07-25, Rating Parental Guidance,
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT Thomas And The Magic Railroad [2000]
Thomas, as anyone familiar with the eponymous, wildly popular TV series knows, is a very useful engine, and never more so than in his first theatrical release, which was a modest box-office success. On a tank filled with little more than pluck, determination and goodwill, Thomas sets out full-steam ahead on a danger-fraught mission to help his friend Mr Conductor. The conductor's stash of magic gold dust has run out, leaving him stranded on the Island of Sodor with Junior, his flaky cousin, and Lily, a little girl enlisted to lift her grandfather out of a funk on nearby Muffle Mountain. When Thomas bravely chugs beyond his hometown tracks' buffers with Lily aboard, he's transported to Muffle Mountain's secret railway and to Lady, a long-lost steamer whose legendary engine makes her more powerful than Diesel, the train-yard bully. Together, Thomas and Lady lead Diesel on a chase that causes a bridge to collapse, taking the dastardly Diesel down with it. Most impressive about the movie is its marquee names: Alec Baldwin works magic as the dutiful worrywart Mr Conductor, Mara Wilson is Lily and Peter Fonda plays the cool-looking but lugubrious Grandpa. It's a cast that will keep put-upon parents watching, if half-heartedly. Thomas fans of five years and under, meanwhile, will wish the actors wouldn't blow so much hot air; they will want to see their hero a bigger part in steaming up the storyline. --<I>Tammy La Gorce</I>
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Availability: Usually dispatched within 3 to 5 days
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£11.99
at Amazon.co.uk
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ICON HOME ENTERTAINMENT The Little Vampire [2000]
Fresh from <I>Stuart Little</I>, young Jonathan Lipnicki carries on his pint-sized shoulders his every scene in <I>The Little Vampire</I> as eight-year-old Tony, befriender of vampires. The Scottish setting lends itself nicely to spookiness, too. A continent away from his native California, Tony's having a tough time making new friends when a band of vagabond vampires enters his life through his bedroom window. The encounter seems pure coincidence at first, but then the scary truth surfaces: Tony, though he's not a vampire himself, has sympathy for our kind, as the dad of the bat-linked brood puts it. Visions of vampire happenings from generations past invade the kid's consciousness, and they hold the key to the clan's current gypsy-like predicament. Through his clairvoyance and, by extension, the discovery of a long-lost amulet, the mostly benevolent bloodsuckers are able to reclaim their rightful status as proper cave-dwellers in their homeland. Clueless-parent predicaments abound--Tony's mum and dad smirk at their son's vampire-obsessed imagination until the cape-draped heads of the clan drop by for a visit--and viewers of around Tony's age will find the gang's adventures eluding a bumbling vampire hunter genuinely chuckle worthy. --<I>Tammy La Gorce</I>
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT We Were Soldiers [2002]
<I>We Were Soldiers</I>, based on the bestselling account of the battle of La Drang valley at the outset of the Vietnam War, is the latest Mel Gibson <I>Braveheart</I>- esque offering where plot and characterisation, rather than the men who lost their lives in the conflict, are the most serious casualties. The story follows Lt. Colonel Hal Moore (Gibson) and his platoon through a brief spell at boot camp and then into the battle itself. <p> In place of the moral ambiguity offered by, say, <I>Platoon</I> or <I>Hamburger Hill</I>, <I>We Were Soldiers</I> presents us with archetypes. Gibson's family man colonel is almost a parody of Patton, a man with so much heart you wonder how he manages to get up in the morning. He's a good Catholic, loves his men, and tells us that he's the first one on the battlefield and the last one off. And if that self-eulogising wasn't enough we have the slow-mo, heavily scored last-one-into-the-helicopter moment to prove it. In uncomfortably jingoistic contrast, the commander of the Viet Cong never leaves his cavernous headquarters as he sends his faceless foot soldiers to their death. <p> What saves the film are Ryan Hurst's performance as the stoic Sergeant Ernie Savage and Barry Pepper's non-combatant journalist who gets caught up in the action and has to fight to survive, both of whom inject some much-needed humanity into the action. Otherwise there is so little character development before the offensive that you find yourself squinting at the screen trying to work out who just bought the bullet when you really should be feeling every gunshot. <I>Braveheart</I> scribe Randall Wallace's direction is heavy handed and over sentimental--relentless violence masquerades as poignant remembrances of the futility of war--and the only time it ever approaches genuine emotion is the scene where the wives begin receiving telegrams detailing their husband's deaths. When measured against <I>Hamburger Hill</I> and <I>Full Metal Jacket</I>, <I>We Were Soldiers</I> doesn't even deserve to be in the same platoon. --<I>Kristen Bowditch</I>
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT Swimfan [2002]
A distinctly mediocre high-school thriller, <I>Swimfan</I> is worryingly predictable not only in its general direction, but also in its details. The moment that high school swimmer Ben (Jesse Bradford) tells Madison, a wild-eyed upper-class blonde with whom he has had a one-night stand in the pool, that she misunderstands their relationship, you start looking at the things he values and guessing the order in which she will break them. There is the sweet old man he helps as a hospital volunteer; there is the best friend and rival; there is the sickeningly sweet girlfriend--and sure enough each of them in turn finds themselves in jeopardy. And you just know it was a mistake for him to tell Madison about his druggy past and show her how to jimmy her way into lockers. <p> This is essentially a remake of <I>Fatal Attraction</I>, but one lacking the edge of madness that Glenn Close brought to her woman spurned. It combines by-the-numbers plot cues with some staggering implausibilities: at one point Ben is seriously suspected of a crime when he has nuns as witnesses to his presence in another state. Ill-thought-out in most ways, <I>Swimfan</I>'s principal merit is Erika Christensen's loopy performance as Madison. <p> <B>On the DVD:</B> <I>Swimfan</I> is presented in a widescreen visual aspect ratio of 1-85:1; but the Dolby Digital 5.1 sound sometimes has an imperfect balance between the crashing indie-rock score and the dialogue. The special features include deleted and extended scenes with or without commentary by director John Polson, an overly self-congratulatory commentary on the whole film by Polson and stars Bradford and Christensen, a mildly interesting featurette and the usual trailers and spots. --<I>Roz Kaveney</I>
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Availability: Usually dispatched within 24 hours
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£3.97
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ICON HOME ENTERTAINMENT The Dish [2001]
When released in 2000, <I>The Dish</I> achieved the highest opening gross in its native Australia, a testament to the country's pride in its home-grown movies. Concentrating on that legendary day in July 1969 when Neil Armstrong set foot on the Moon <I>The Dish</I> looks at the small but crucial role of the Parkes satellite receiver, without which the world would never have seen the historic landing. Sam Neill is the pipe-smoking Dish Master Cliff, whose team includes Dish mover Mitch, distractedly love-struck electronics nerd Glenn and NASA representative Al. <p><I>The Dish</I> could have played the plot premise as a documentary or with a dramatic edge, but chooses instead to present the story at a leisurely comedic pace which oozes charm. The excited little community offers a snapshot of a fondly remembered past full of the idealism of the 1960s. Populated by warm-hearted souls, it's easy to forgive the town band welcoming a US Ambassador with the Hawaii 5-0 theme instead of the National Anthem. <I>The Dish</I> may not have the sense of danger of <I>Apollo 13</I>, or the dazzling FX of something like <I>Armageddon</I>, but it does have rounded, enjoyable characterisation and a truthful, warming atmosphere, making it easily one of the most enjoyable films inspired by the space race. --<I>Paul Tonks</I>
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Availability: Usually dispatched within 24 hours
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£5.97
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ICON HOME ENTERTAINMENT Y Tu Mama Tambien [2001]
If you're in need of a teen road movie that's more than a collection of tit-n-bum jokes, then look no further than <I>Y Tu Mama Tambien</I> (And Your Mother Too). Alfonso Cuaron (yes, the director signed up for <I>Harry Potter 3</I>) has managed to create a sexy road movie without a single cheerleader popping up in anyone's bed. Instead he brings together a strong cast of Spanish/Mexican actors--including the rising star Gael García Bernal and the enigmatic Maribel Verdú--with a heady mixture of dusty roads and raging hormones. <p> Leaving the poverty and grim reality of <I>Amores Perros</I> (the other hit Mexican movie of recent times, also starring Bernal) far behind, <I>Y Tu Mama Tambien</I> is set among the upper classes where two teenage friends, Julio and Tenoch, are left in a state of limbo when their girlfriends take a trip to Europe. But rather than resting on their laurels, they choose to chase a much bigger prize: Tenoch's cousin's wife, Luisa. When she takes up their offer to go on a trip to a mystical beach, the boys can't believe their luck; little do they know that Luisa is using them as a means to run away and forget. Here begins the boys' trip towards adulthood as they learn to control their hormones, jealousies and selfishness. <I>Y Tu Mama Tambien</I>'s explicit scenes are more than mere titillation, just as the plot is more than a simple sex comedy. --<I>Nikki Disney</I>
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Availability: Usually dispatched within 4 to 7 days
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£4.97
at Amazon.co.uk
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ICON HOME ENTERTAINMENT Ae Fond Kiss [2004]
Release Date: 2005-07-11, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£6.97
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ICON HOME ENTERTAINMENT The Butterfly Effect [2004]
Release Date: 2004-09-13, Rating Suitable for 15 years and over,
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Availability: Usually dispatched within 24 hours
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£7.97
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ICON HOME ENTERTAINMENT On A Clear Day
Release Date: 2006-01-30, Rating Suitable for 12 years and over,
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Availability: Usually dispatched within 24 hours
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£18.99
at Amazon.co.uk
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